30-Day Learning Roadmap
Foundations first, real-estate-specific application after. Check off items as you go β your progress saves automatically. Treat each "week" as flexible β go faster or slower as makes sense.
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Camera β Sony FX30
The FX30 is genuinely cinema-grade. Get a few foundational settings right and you'll be ahead of 90% of real estate creators on day one.
Recommended baseline settings
| Setting | Value | Why |
| Resolution | 4K (3840Γ2160) | Lets you crop into 1080p for reframes β huge for vertical reels |
| Frame rate (most uses) | 24p or 23.98p | Cinematic look. Use for hero pieces, walkthroughs, testimonials |
| Frame rate (motion shots) | 4K 60p β 24p timeline | 40% slow-mo for cinematic reveals |
| Frame rate (ultra-slow) | 1080p 120p | Detail shots β pouring coffee, hands shaking, leaves blowing |
| Shutter speed | 1/50 @ 24p, 1/120 @ 60p | 180Β° rule β natural motion blur |
| Picture profile | S-Cinetone (start) β S-Log3 (later) | S-Cinetone looks great straight out. S-Log3 = max flexibility but needs grading |
| Codec | XAVC S 100Mbps (standard) or XAVC S-I (premium) | S-I = bigger files, stronger edits β only when needed |
| Color space | Rec.709 w/ S-Cinetone, S-Gamut3.Cine w/ S-Log3 | Match your picture profile |
| ISO | 800 or 2500 (dual native) | FX30 has two native ISOs β these are cleanest |
Custom button mapping
The FX30 lets you remap most buttons. Here's a setup tuned for real estate run-and-gun:
| Button | Function | Why |
| C1 | Focus Magnifier | Punch in to verify focus, especially with manual lenses |
| C2 | White Balance | Adjust on the fly when you walk between rooms with different lighting |
| C3 | Picture Profile | Switch S-Cinetone β S-Log3 without diving into menus |
| C4 | APS-C/Super35 β FF crop | Quick "punch in" for a tighter framing on the same lens |
| AEL | Tracking on/off | Toggle subject tracking instantly |
| Front dial | Aperture | Change exposure with your shooting hand |
| Rear dial | ISO | Reach for it without taking eye off subject |
Your lens kit & assignments
All three Sigma DC DN lenses are designed for the FX30's Super 35 sensor. Below are their full-frame equivalent focal lengths (FX30 has a 1.5Γ crop) and the use case where each shines.
| Lens | FF equivalent | Best for |
| Sigma 10-18mm f/2.8 DC DN | 15β27mm | Interior wides, kitchen reveals, hallway shots, agent vlog intros. Pull to 12β14mm for natural-looking interiors (10mm distorts) |
| Sigma 18-50mm f/2.8 DC DN (Γ2) | 27β75mm | The workhorse zoom. General B-roll, agent at desk, walkthroughs, medium testimonial shots. Having two = two FX30s with matched zooms simultaneously |
| Sigma 30mm f/1.4 DC DN | 45mm | Testimonial hero lens. Gorgeous shallow depth of field. Mount on FX30 #2 for the close-up emotion angle in 3-camera interviews |
Suggested 3-camera testimonial assignments
- FX30 #1 (anchor wide): Sigma 18-50 @ ~25-30mm β medium-wide framing, locked off on tripod
- FX30 #2 (emotion close): Sigma 30mm f/1.4 β tight portrait at 45Β° offset, beautiful background blur
- FX30 #3 (B-roll cutaway): Sigma 10-18 @ 14-18mm β handheld for environmental cutaways during interview
The one practical gap
You have ultra-wide through portrait length covered (15β75mm equivalent). The only thing missing is a telephoto for compression shots β agent walking toward camera with squished background, or detail shots with extreme separation. Tamron 70β180mm f/2.8 (~$999) or Sigma 70-200mm f/2.8 DG DN (~$1,499) when/if you want it. Not urgent β your current kit handles 95% of real estate work.
Watch & learn
Audio
"People will forgive bad video before they'll forgive bad audio." Your NTG-3s are exceptional. Your missing piece is wireless lavs β once you fix that, your audio chain is more capable than most working cinematographers'.
Core principle: For testimonials and agent intros, always record both a lav and a shotgun simultaneously. Use the lav as your dialogue spine; mix the shotgun underneath for warmth and natural room presence. The richness you're hearing in the NTG-3 is real β it's a flatter frequency response without the chest-resonance high-pass filtering that lavs apply.
Three core audio setups
1. Studio testimonial (controlled environment)
NTG-3 boomed overhead, just out of frame, pointed at subject's mouth. Wireless lav clipped to subject. Both feed into the FX30 via the XLR-H1 handle (NTG-3 on Channel 1, lav on Channel 2). Multi-track recording.
In post: use the lav as Track 1 (always present, clear). Drop the shotgun underneath at -8 to -12 dB for body and room.
2. Run-and-gun agent talking-to-camera
Wireless lav on agent. Camera-mounted shotgun (NTG-3 on a shock mount in the FX30 cold shoe, or use a smaller on-camera mic) as backup/ambient.
Why both: if the lav fails (battery, interference, cable wiggle), the shotgun is your safety net.
3. Voiceover for hero pieces
NTG-3 into the Scarlett 18i16, into Logic Pro. Record in a closet or treated space. Process: high-pass at 80 Hz, light compression (3:1, -18 dB threshold), de-ess if needed, gentle limiter. Export WAV, drop into Resolve's Fairlight tab.
NTG-3 vs lav β why your shotgun sounds richer
| NTG-3 shotgun | Typical lav |
| Capsule | Large diaphragm, RF-bias | Tiny electret |
| Frequency response | 40 Hz β 20 kHz, very flat | ~80 Hz β 20 kHz with bass roll-off |
| Distance from mouth | 1β3 ft (boomed) | ~6β10 inches (chest-clipped) |
| What it captures | Voice as it projects in space + room body | Dry, intimate, dialogue-focused |
| Best for | Cinematic, "narrative" feel | Reliability, clarity, hands-free |
Wireless lav recommendations
Best balance β DJI Mic 2 (~$349)
Dual transmitters, charging case, 32-bit float internal recording (recoverable from clipping), connects to FX30 via 3.5mm or USB-C. This is the right starting point for 90% of real estate teams.
Step up β Rode Wireless Pro (~$399)
Similar features, slightly more refined build, integrates with the Rode ecosystem your NTG-3s already live in.
Pro tier β Sony UWP-D27 + SMAD-P5 (~$900)
Real broadcast wireless. The SMAD-P5 receiver mounts to the FX30 Multi-Interface shoe and sends digital audio β no cable, no analog conversion. Cleanest possible signal chain. The Sennheiser EW-DP is a peer; Sony's edge is native digital MI shoe integration.
Watch & learn
Lighting
Three Aputure Amaran 150c lights with three softboxes is a serious portrait/interview setup. The same kit used by polished podcasters and small commercial sets.
Three-point lighting (your foundation)
Key light
Your main light. Place at ~45Β° to one side of the camera, slightly above eye level, angled down toward the subject's face. Use your largest modifier (the 48" softbox) so the light wraps softly. Power: 60β80%.
Fill light
Lifts the shadows on the opposite side of the face. Place at ~45Β° on the other side, also through a softbox. Run it at ~30β50% of the key's brightness (a 2:1 to 3:1 ratio for soft, complimentary; 4:1 to 8:1 for moody/dramatic).
Back / hair light
Behind the subject, aimed at hair and shoulders to separate them from the background. Can be a small softbox or even bare bulb. Keeps the subject from looking like they're glued to the wall behind them.
Your 4th light trick: You have three Amaran 150cs. After key/fill/back, the third can be a colored RGB accent on the background (subtle teal, warm orange, or whatever matches your brand). This single move is what makes content go from "office" to "studio."
Color temperature β the #1 amateur mistake
Mixing 3200K tungsten lamps in a room with your 5600K daylight LEDs gives a yellow/blue split that no color grade can fully fix. Decide on a color temp before shooting:
- Daylight environment (windows, modern office): set Amarans to 5500β5600K
- Warm/tungsten environment (hotel, traditional home): set Amarans to 3200K
- Mixed environment: gel windows with CTO (warming) or set Amarans to 4300K compromise
Testimonial lighting recipe (start here)
- Position subject 6β8 ft from background (depth = professional)
- Key: 48" softbox at 45Β° camera-left, ~5500K, 70% power
- Fill: 36" softbox at 45Β° camera-right, 5500K, 30% power
- Back/hair: 36" softbox behind subject (just out of frame), 5500K, 40% power
- Background accent: third 150c set to RGB blue/teal, low power, hitting the wall behind
- White-balance the FX30 to 5500K manually β don't use auto
- Watch your zebra (set zebra to 70% on skin tones for caucasian skin, ~65% on darker skin)
Watch & learn
Composition & Movement
What separates "real estate agent video" from "real estate brand" is rarely gear β it's framing and motion. Treat every shot like a still photograph that happens to move.
Framing fundamentals
Rule of thirds
Imagine the frame divided into a 3Γ3 grid. Place the subject's eyes on the upper third line. The FX30 has built-in grid overlays β turn them on.
Headroom
Don't crop too high above the head, but don't leave a foot of empty space either. Eyes on the upper third is the sweet spot.
Lead room (look space)
If a subject faces camera-left, leave more space on that side. Faces should "look into" the frame, not out of it.
Layered depth
Good shots have foreground / middle / background. In a real estate context, put a vase or lamp in the foreground out of focus, the agent in the middle, the room behind. Instant cinema.
The shot vocabulary every real estate creator should master
| Shot | What it does | When to use |
| Wide / establishing | Sets the scene | Open every video. Outside of property, lobby, kitchen reveal |
| Medium | Subject + context | Agent in their office, buyer in a room |
| Close-up | Emotion / detail | Reaction shots in testimonials, fixture details in walkthroughs |
| Extreme close-up | Texture / object | Hands signing papers, key in lock, faucet running |
| Slow push-in | Builds emotion | Critical line in a testimonial β slow zoom adds weight |
| Pull-back reveal | Surprise / scale | Pull back from a detail to show the bigger room |
| Slow pan | Reveals geography | Show a kitchen end-to-end |
| Tracking / dolly | Cinematic motion | Walking through a doorway with a gimbal |
Movement strategy
You currently have tripods only. That's actually fine for testimonials and agent intros β most pro interviews are shot static. For walkthroughs and B-roll, you'll want motion eventually.
Static (tripod) β what you have
Best for: testimonials, agent talking-head, locked-off architecture shots, time-lapses.
Slow push-in (zoom or move)
A subtle 2β5% zoom in over 5 seconds in your edit β adds emotion to a tripod-locked shot. You can do this in DaVinci without a slider.
Gimbal (when you're ready)
DJI RS 3 or RS 4 handles the FX30 + a small lens. Game-changer for walkthroughs and movement reveals. ~$549β$719.
Slider (optional)
For controlled, repeatable horizontal moves. Great for B-roll details. ~$200β$500.
Pro tip for testimonials: Run a second FX30 on a tripod at a slightly different angle and lens length while the primary camera shoots wide. Cut between them to break monotony β same take, two angles, edits feel dynamic without a single retake.
Watch & learn
Editing β DaVinci Resolve
My strong recommendation over CapCut and Final Cut Pro for your specific case. Free, professional, and the color tools are unmatched β which matters because the FX30 lives on color science.
Why DaVinci, specifically:
- Free, no subscription. Studio (paid, $295 one-time) only if you want noise reduction, neural engine, etc.
- Best-in-class color grading β built for FX30-style log footage
- Fairlight tab for audio post β exports cleanly to/from Logic Pro
- Multicam editing built in (huge for your 3-camera testimonials)
- Skills transfer to industry β Resolve is the global film/TV color standard
Resolve's seven tabs (top of screen)
| Tab | What it does | When you use it |
| Media | Import clips, organize, sync | Start of every project |
| Cut | Fast assembly editing | Quick social reels |
| Edit | Traditional NLE timeline | Most editing happens here |
| Fusion | Motion graphics, VFX, titles | Logo animations, lower thirds |
| Color | Color grading | The Resolve superpower. Always finish here. |
| Fairlight | Audio mixing | EQ, compression, levels, mastering |
| Deliver | Export | Final step. H.264 for socials, ProRes for archive |
30-day Resolve learning sequence
Days 1β3 β Install & navigate
Download from blackmagicdesign.com. Open the project manager, create your first project (1080p 24fps). Watch Casey Faris's "DaVinci Resolve in 20 minutes."
Days 4β7 β Cut a real edit
Import test footage. Learn J/K/L for navigation, I/O for in/out points, blade tool, ripple delete. Cut a 60-second piece.
Days 8β14 β Multicam + audio sync
Right-click selected clips β Auto Sync Audio (waveform). Right-click β New Multicam Clip. Critical for your 3-camera testimonials.
Days 15β21 β Color basics
Color page intro: white balance, contrast, saturation, primary wheels. Don't touch curves yet. Apply LUT for S-Log3 if you shot in it.
Days 22β28 β Fairlight basics
EQ presets (high-pass at 80 Hz, presence boost at 3 kHz), compression (4:1 ratio, -18 dB threshold), mastering (-14 LUFS for socials).
Days 29β30 β Deliver
YouTube preset (H.264, 1080p, ~10 Mbps). Then create a 9:16 timeline, copy your edit, reframe shots, export for IG/TikTok.
Vertical (9:16) editing without re-editing
Resolve has a feature called Smart Reframe (Studio version) that uses AI to track subjects when converting from 16:9 to 9:16. Free version: do it manually using the Transform tool in the Inspector β keyframe Position X/Y to track movement.
Watch & learn
Real Estate Content Templates
Three repeatable formats that map to your team's three priorities: agent branding, social reels, client testimonials. Reusable production templates beat one-off creative every single time.
Template 1 β Client testimonial (3-camera)
Goal
A 3β5 minute long-form testimonial that yields 4β8 short-form social cuts. Highest ROI piece you'll produce.
Camera setup
- FX30 #1: Wide medium on tripod, dead-center, 35mm or 50mm equivalent β the "anchor" angle
- FX30 #2: Tighter close-up on tripod, 45Β° offset, longer lens β emotion shots
- FX30 #3: Loose handheld or gimbal, capturing B-roll cutaways during the interview (hands, environment, listener reactions)
Audio
Lav on subject + NTG-3 boomed overhead, both into FX30 #1 via XLR-H1. Slate (clap once) at the start so you can sync the other two cameras in post.
Lighting
3-point with Amaran 150c. Subject 6β8 ft off background, 48" softbox key at 45Β°, 36" softbox fill at 45Β° opposite, back light behind, plus colored RGB accent on background.
Question prompts (don't read literally β use as prompts)
- "Take me back to when you started thinking about [buying/selling]. What was your headspace?"
- "What were you most nervous about?"
- "Walk me through the moment you decided to work with [agent]."
- "Tell me about a moment in the process when you thought 'this is going to be a problem' β and what happened."
- "What surprised you?"
- "If a friend was about to start this same journey, what would you tell them?"
- "Describe [agent] in three words and tell me why those three."
Goal output
One 3β5 min YouTube/website piece, plus 4β8 short-form cuts (the "money quotes") for IG reels and TikTok.
Template 2 β Agent intro / branding (60β90 sec hero)
Structure
- 0:00β0:03 Hook β strong visual or sound. Agent walking, a beautiful door opening, a city skyline, anything that stops a thumb.
- 0:03β0:10 Setup β agent voiceover or to-camera: "I'm [name], I help families in [neighborhood]β¦"
- 0:10β0:30 Why you β the unique value. What makes this agent different.
- 0:30β0:50 Proof β visual proof points: showing a home, meeting clients, signing papers, handing keys
- 0:50β1:00 Call to action β "If you're thinking about [buying/selling], let's talk."
Shot list (B-roll bank)
- Agent walking toward camera (slow-mo 4K 60p)
- Agent on phone, animated
- Agent reviewing documents
- Agent shaking hands with clients
- Drone-style aerial of neighborhood (rent a drone if you don't have one)
- Architectural detail of a recent listing
- Key handover close-up
- Agent laughing in a kitchen
Build a B-roll bank you can reuse across multiple agent intros. Reshoot the to-camera/VO portion for each agent.
Template 3 β Social reel (15β60 sec)
Anatomy of a strong reel
- Hook (0β2 sec): Bold visual or text overlay with a question. ("This kitchen has a hidden feature most people miss.")
- Pattern interrupts: Cuts every 1β2 seconds. Never linger on a static shot.
- Vertical 9:16: Shot vertically OR shot 4K 16:9 then reframed for 9:16
- Burned-in captions: 80% of viewers watch with sound off.
- Strong cover image: the still you choose makes or breaks discovery.
- Trending audio: use IG/TikTok trending tracks, but match the emotional tone.
Content angles that work for real estate
- "3 things I look for in a [neighborhood] home"
- "What this listing's price actually buys you"
- "Most overlooked feature in [house style]"
- "Walk this house with me in 30 seconds"
- "Buyers I helped this month" (montage with permission)
- "The mistake every first-time buyer makes"
- Behind-the-scenes of an open house
- "My favorite [neighborhood] coffee/restaurant/park" (lifestyle adjacency)
Watch & learn
Long β Short Workflow
The single highest-leverage workflow in real estate content. Shoot once. Edit one long-form piece. Cut multiple shorts from the same source. Same effort, 5β10Γ the output.
The principle
Every well-shot 4-minute testimonial contains 4β8 self-contained 30β60 second moments β the "money quotes." Identify them, isolate them, reframe them for vertical, add captions, and you have a week's worth of social content from a single shoot.
Step-by-step
1. Edit your long form first
Cut your 3β5 minute testimonial as a polished horizontal 16:9 piece. This is your hero asset for YouTube and your website.
2. Identify the highlights
Watch back with a notepad. Mark every moment that is:
- A self-contained idea (makes sense without context)
- Emotionally compelling or surprising
- Quotable in one sentence
- Between 15 and 60 seconds long
3. Duplicate the timeline
In Resolve: right-click your timeline β Duplicate Timeline. Rename "[Project] β Short 1," "Short 2," etc.
4. Reframe to 9:16
In Project Settings β Image Scaling β set to 1080Γ1920 (or change the timeline resolution). Then for each clip, use the Transform tool in the Inspector to scale and reposition the subject into the vertical frame.
5. Trim aggressively
Cut every breath, every "um," every dead beat. A 60-second short that "earns" its time beats a 90-second short that drags.
6. Add burned-in captions
Resolve Studio has auto-captions. Free version: use a free auto-caption service (kapwing.com, submagic.co) or type captions manually using the Text+ tool.
7. Add hook overlay
Text overlay in the first 2 seconds: "She thought selling her house would take 6 months." or "This is the question every first-time buyer asks." Hook = thumb-stop.
8. Export and stagger release
Export 8 shorts. Release one every 3β4 days across IG/TikTok/YouTube Shorts. The hero long-form lives on YouTube + your website. Each short links back to the long form.
Project organization recommendation: Keep your
tech/production reference (this dashboard) separate from your
actual content production. In your content production project, organize like this:
2026-05-15 Smith Family Testimonial/
-
00 Source Footage/
-
01 Audio/
-
02 Resolve Project/
-
03 Exports/Hero 16x9/
-
03 Exports/Shorts 9x16/
-
04 Final Captions + Hooks.txt
Reusable folder template per shoot.
Watch & learn
Gear Reference
What you have, what to add, in priority order.
Your current kit
3Γ Sony FX30
Super 35 cinema cameras β 4K 120p, 10-bit 4:2:2, dual native ISO 800/2500
Have
2Γ Rode NTG-3
Broadcast shotgun mics β RF-bias, weather-resistant, exceptional sound
Have
Sony XLR-H1 handle
Adds dual XLR inputs + phantom power to one FX30
Have
Focusrite Scarlett 18i16
Multi-channel audio interface β for studio VO and podcast-style work
Have
3Γ Aputure Amaran 150c
Full-RGB 150W COB lights β pro-tier portrait lighting
Have
2Γ 36" softbox + 1Γ 48" softbox
Modifiers for the Amarans β soft, flattering light
Have
Yamaha HS-8 + sub
Reference monitors for audio mixing β pro-grade accuracy
Have
Logic Pro
DAW for audio post β ideal for VO finishing
Have
Tripods
Static support β fine for testimonials and agent intros
Have
Sigma 10-18mm f/2.8 DC DN
Ultra-wide zoom β 15-27mm equivalent. Interior wides, hallway shots
Have
2Γ Sigma 18-50mm f/2.8 DC DN
Standard zoom β 27-75mm equivalent. Workhorse B-roll lens
Have
Sigma 30mm f/1.4 DC DN
Fast prime β 45mm equivalent. Testimonial close-ups, beautiful bokeh
Have
Recommended additions (priority order)
DJI Mic 2 (dual TX kit) β ~$349
Wireless lavs with 32-bit float internal recording. Closes your biggest gap.
Priority 1
DaVinci Resolve (free)
Replace CapCut for serious work. Free download from blackmagicdesign.com
Priority 1
CFexpress Type A or fast SD cards
Required for high-bitrate XAVC S-I codec. Sony Tough V90 SD or CFexpress Type A 80GB+
Priority 2
Telephoto zoom β Tamron 70-180mm f/2.8 β ~$999
Fills the only gap in your lens kit. Compression shots, walking-toward-camera, detail shots with separation
Priority 2
DJI RS 3 or RS 4 gimbal β ~$549β$719
For walkthroughs and motion B-roll. Buy when you've outgrown tripod-only
Priority 3
Boom pole + shock mount for NTG-3 β ~$200
To boom the shotgun overhead during testimonials. Rode Boompole Pro + Rycote shock mount
Priority 3
Sony UWP-D27 + SMAD-P5 β ~$900
Pro broadcast wireless w/ native MI shoe digital audio. Upgrade from DJI when ready
Future
Variable ND filter β ~$150β$300
For maintaining 1/50 shutter outdoors. Tiffen, PolarPro, or NiSi 2β5 stop
Future
Channels to Follow
Curated YouTube creators worth subscribing to. I've grouped by what they're best at.
Audio
Camera & cinematic shooting
Lighting
Editing β DaVinci Resolve
Real estateβspecific