30-Day Learning Roadmap

Foundations first, real-estate-specific application after. Check off items as you go β€” your progress saves automatically. Treat each "week" as flexible β€” go faster or slower as makes sense.

0 / 0 steps complete
Week 1 β€” Camera Foundations
Tour the FX30 menu top-to-bottom (don't memorize, just see what's there)Keep the manual PDF open while you do this
Set up custom buttons (C1–C4 + AEL) for video shootingSee Camera section for my recommended mapping
Learn the exposure triangle for video (shutter / aperture / ISO)Critical: shutter is locked by frame rate, so you control exposure with aperture and ISO
Memorize the 180Β° shutter ruleShutter speed = 2Γ— frame rate. 24p β†’ 1/50, 30p β†’ 1/60, 60p β†’ 1/120
Shoot test footage in S-Cinetone picture profileLooks great straight from camera β€” no color grading required
Practice all four AF modes (AF-S, AF-C, MF, Tracking)Especially "Tracking AF" β€” your social reels will live or die by this
Week 2 β€” Audio Foundations
Mount the XLR-H1 handle, plug in an NTG-3, enable phantom powerCheck input gain β€” peak around -12 dB to -6 dB
Record test dialogue with NTG-3 boomed overhead vs. on-cameraListen back through your HS-8s β€” overhead boom wins almost every time
Order a wireless lav system (DJI Mic 2 recommended)Closes your biggest gear gap. ~$349 for the dual-TX kit
Practice a dual-mic recording: lav + shotgun simultaneouslyVerify in Resolve that both tracks land cleanly
Set up your Scarlett 18i16 in Logic Pro for separate VO recordingOptional but powerful β€” clean voiceover for hero pieces
Week 3 β€” Lighting & Set
Build a 3-point setup with your three Amaran 150c lights48" softbox key + 36" softbox fill + 36" softbox or bare back light
Set all lights to the same color temperature (start at 5500K)Mixing color temps is the #1 amateur mistake
Practice key:fill ratio adjustments (3:1, 4:1, 8:1)Higher ratio = more dramatic. Real estate testimonials usually want 3:1 or 4:1
Use one 150c as a colored RGB accent on the backgroundSubtle teal or warm orange creates depth and "expensive" feel
Shoot a complete dummy testimonial (5 minutes of you talking to camera)Lighting + audio + framing all together. This is your benchmark
Week 4 β€” Editing & Output
Install DaVinci Resolve (free) and run through the official Quick Start guideresolve.davinciresolve.com β€” the free version handles 99% of what you'll do
Import your dummy testimonial and sync external audioRight-click clips β†’ Auto Sync Audio β†’ Based on Waveform
Build a multicam clip from 2 or 3 anglesRight-click selected clips β†’ New Multicam Clip Using Selected Clips
Color grade S-Cinetone footage in the Color pageJust balance, contrast, sat β€” don't over-grade. S-Cinetone needs very little
Export an H.264 MP4 ready for YouTube/IGDeliver page β†’ YouTube preset, then duplicate as 9:16 for vertical socials
Week 5+ β€” Real Estate in Action
Shoot a real agent intro (60–90 seconds)Use the template in Content Templates section
Shoot a real client testimonial (3–5 min long form)Will yield 4–8 short-form social cuts
Cut three social reels from the testimonial long form30–60 seconds each, 9:16, captions burned in
Build a 30-day content calendar for your team1 hero piece per month, 1 testimonial per month, 4–8 reels per week

Camera β€” Sony FX30

The FX30 is genuinely cinema-grade. Get a few foundational settings right and you'll be ahead of 90% of real estate creators on day one.

Recommended baseline settings

SettingValueWhy
Resolution4K (3840Γ—2160)Lets you crop into 1080p for reframes β€” huge for vertical reels
Frame rate (most uses)24p or 23.98pCinematic look. Use for hero pieces, walkthroughs, testimonials
Frame rate (motion shots)4K 60p β†’ 24p timeline40% slow-mo for cinematic reveals
Frame rate (ultra-slow)1080p 120pDetail shots β€” pouring coffee, hands shaking, leaves blowing
Shutter speed1/50 @ 24p, 1/120 @ 60p180Β° rule β€” natural motion blur
Picture profileS-Cinetone (start) β†’ S-Log3 (later)S-Cinetone looks great straight out. S-Log3 = max flexibility but needs grading
CodecXAVC S 100Mbps (standard) or XAVC S-I (premium)S-I = bigger files, stronger edits β€” only when needed
Color spaceRec.709 w/ S-Cinetone, S-Gamut3.Cine w/ S-Log3Match your picture profile
ISO800 or 2500 (dual native)FX30 has two native ISOs β€” these are cleanest

Custom button mapping

The FX30 lets you remap most buttons. Here's a setup tuned for real estate run-and-gun:

ButtonFunctionWhy
C1Focus MagnifierPunch in to verify focus, especially with manual lenses
C2White BalanceAdjust on the fly when you walk between rooms with different lighting
C3Picture ProfileSwitch S-Cinetone ↔ S-Log3 without diving into menus
C4APS-C/Super35 ↔ FF cropQuick "punch in" for a tighter framing on the same lens
AELTracking on/offToggle subject tracking instantly
Front dialApertureChange exposure with your shooting hand
Rear dialISOReach for it without taking eye off subject

Your lens kit & assignments

All three Sigma DC DN lenses are designed for the FX30's Super 35 sensor. Below are their full-frame equivalent focal lengths (FX30 has a 1.5Γ— crop) and the use case where each shines.

LensFF equivalentBest for
Sigma 10-18mm f/2.8 DC DN15–27mmInterior wides, kitchen reveals, hallway shots, agent vlog intros. Pull to 12–14mm for natural-looking interiors (10mm distorts)
Sigma 18-50mm f/2.8 DC DN (Γ—2)27–75mmThe workhorse zoom. General B-roll, agent at desk, walkthroughs, medium testimonial shots. Having two = two FX30s with matched zooms simultaneously
Sigma 30mm f/1.4 DC DN45mmTestimonial hero lens. Gorgeous shallow depth of field. Mount on FX30 #2 for the close-up emotion angle in 3-camera interviews

Suggested 3-camera testimonial assignments

  • FX30 #1 (anchor wide): Sigma 18-50 @ ~25-30mm β€” medium-wide framing, locked off on tripod
  • FX30 #2 (emotion close): Sigma 30mm f/1.4 β€” tight portrait at 45Β° offset, beautiful background blur
  • FX30 #3 (B-roll cutaway): Sigma 10-18 @ 14-18mm β€” handheld for environmental cutaways during interview

The one practical gap

You have ultra-wide through portrait length covered (15–75mm equivalent). The only thing missing is a telephoto for compression shots β€” agent walking toward camera with squished background, or detail shots with extreme separation. Tamron 70–180mm f/2.8 (~$999) or Sigma 70-200mm f/2.8 DG DN (~$1,499) when/if you want it. Not urgent β€” your current kit handles 95% of real estate work.

Watch & learn

Audio

"People will forgive bad video before they'll forgive bad audio." Your NTG-3s are exceptional. Your missing piece is wireless lavs β€” once you fix that, your audio chain is more capable than most working cinematographers'.

Core principle: For testimonials and agent intros, always record both a lav and a shotgun simultaneously. Use the lav as your dialogue spine; mix the shotgun underneath for warmth and natural room presence. The richness you're hearing in the NTG-3 is real β€” it's a flatter frequency response without the chest-resonance high-pass filtering that lavs apply.

Three core audio setups

1. Studio testimonial (controlled environment)

NTG-3 boomed overhead, just out of frame, pointed at subject's mouth. Wireless lav clipped to subject. Both feed into the FX30 via the XLR-H1 handle (NTG-3 on Channel 1, lav on Channel 2). Multi-track recording.

In post: use the lav as Track 1 (always present, clear). Drop the shotgun underneath at -8 to -12 dB for body and room.

2. Run-and-gun agent talking-to-camera

Wireless lav on agent. Camera-mounted shotgun (NTG-3 on a shock mount in the FX30 cold shoe, or use a smaller on-camera mic) as backup/ambient.

Why both: if the lav fails (battery, interference, cable wiggle), the shotgun is your safety net.

3. Voiceover for hero pieces

NTG-3 into the Scarlett 18i16, into Logic Pro. Record in a closet or treated space. Process: high-pass at 80 Hz, light compression (3:1, -18 dB threshold), de-ess if needed, gentle limiter. Export WAV, drop into Resolve's Fairlight tab.

NTG-3 vs lav β€” why your shotgun sounds richer

NTG-3 shotgunTypical lav
CapsuleLarge diaphragm, RF-biasTiny electret
Frequency response40 Hz – 20 kHz, very flat~80 Hz – 20 kHz with bass roll-off
Distance from mouth1–3 ft (boomed)~6–10 inches (chest-clipped)
What it capturesVoice as it projects in space + room bodyDry, intimate, dialogue-focused
Best forCinematic, "narrative" feelReliability, clarity, hands-free

Wireless lav recommendations

Best balance β€” DJI Mic 2 (~$349)

Dual transmitters, charging case, 32-bit float internal recording (recoverable from clipping), connects to FX30 via 3.5mm or USB-C. This is the right starting point for 90% of real estate teams.

Step up β€” Rode Wireless Pro (~$399)

Similar features, slightly more refined build, integrates with the Rode ecosystem your NTG-3s already live in.

Pro tier β€” Sony UWP-D27 + SMAD-P5 (~$900)

Real broadcast wireless. The SMAD-P5 receiver mounts to the FX30 Multi-Interface shoe and sends digital audio β€” no cable, no analog conversion. Cleanest possible signal chain. The Sennheiser EW-DP is a peer; Sony's edge is native digital MI shoe integration.

Watch & learn

Lighting

Three Aputure Amaran 150c lights with three softboxes is a serious portrait/interview setup. The same kit used by polished podcasters and small commercial sets.

Three-point lighting (your foundation)

Key light

Your main light. Place at ~45Β° to one side of the camera, slightly above eye level, angled down toward the subject's face. Use your largest modifier (the 48" softbox) so the light wraps softly. Power: 60–80%.

Fill light

Lifts the shadows on the opposite side of the face. Place at ~45Β° on the other side, also through a softbox. Run it at ~30–50% of the key's brightness (a 2:1 to 3:1 ratio for soft, complimentary; 4:1 to 8:1 for moody/dramatic).

Back / hair light

Behind the subject, aimed at hair and shoulders to separate them from the background. Can be a small softbox or even bare bulb. Keeps the subject from looking like they're glued to the wall behind them.

Your 4th light trick: You have three Amaran 150cs. After key/fill/back, the third can be a colored RGB accent on the background (subtle teal, warm orange, or whatever matches your brand). This single move is what makes content go from "office" to "studio."

Color temperature β€” the #1 amateur mistake

Mixing 3200K tungsten lamps in a room with your 5600K daylight LEDs gives a yellow/blue split that no color grade can fully fix. Decide on a color temp before shooting:

  • Daylight environment (windows, modern office): set Amarans to 5500–5600K
  • Warm/tungsten environment (hotel, traditional home): set Amarans to 3200K
  • Mixed environment: gel windows with CTO (warming) or set Amarans to 4300K compromise

Testimonial lighting recipe (start here)

  1. Position subject 6–8 ft from background (depth = professional)
  2. Key: 48" softbox at 45Β° camera-left, ~5500K, 70% power
  3. Fill: 36" softbox at 45Β° camera-right, 5500K, 30% power
  4. Back/hair: 36" softbox behind subject (just out of frame), 5500K, 40% power
  5. Background accent: third 150c set to RGB blue/teal, low power, hitting the wall behind
  6. White-balance the FX30 to 5500K manually β€” don't use auto
  7. Watch your zebra (set zebra to 70% on skin tones for caucasian skin, ~65% on darker skin)

Watch & learn

Composition & Movement

What separates "real estate agent video" from "real estate brand" is rarely gear β€” it's framing and motion. Treat every shot like a still photograph that happens to move.

Framing fundamentals

Rule of thirds

Imagine the frame divided into a 3Γ—3 grid. Place the subject's eyes on the upper third line. The FX30 has built-in grid overlays β€” turn them on.

Headroom

Don't crop too high above the head, but don't leave a foot of empty space either. Eyes on the upper third is the sweet spot.

Lead room (look space)

If a subject faces camera-left, leave more space on that side. Faces should "look into" the frame, not out of it.

Layered depth

Good shots have foreground / middle / background. In a real estate context, put a vase or lamp in the foreground out of focus, the agent in the middle, the room behind. Instant cinema.

The shot vocabulary every real estate creator should master

ShotWhat it doesWhen to use
Wide / establishingSets the sceneOpen every video. Outside of property, lobby, kitchen reveal
MediumSubject + contextAgent in their office, buyer in a room
Close-upEmotion / detailReaction shots in testimonials, fixture details in walkthroughs
Extreme close-upTexture / objectHands signing papers, key in lock, faucet running
Slow push-inBuilds emotionCritical line in a testimonial β€” slow zoom adds weight
Pull-back revealSurprise / scalePull back from a detail to show the bigger room
Slow panReveals geographyShow a kitchen end-to-end
Tracking / dollyCinematic motionWalking through a doorway with a gimbal

Movement strategy

You currently have tripods only. That's actually fine for testimonials and agent intros β€” most pro interviews are shot static. For walkthroughs and B-roll, you'll want motion eventually.

Static (tripod) β€” what you have

Best for: testimonials, agent talking-head, locked-off architecture shots, time-lapses.

Slow push-in (zoom or move)

A subtle 2–5% zoom in over 5 seconds in your edit β€” adds emotion to a tripod-locked shot. You can do this in DaVinci without a slider.

Gimbal (when you're ready)

DJI RS 3 or RS 4 handles the FX30 + a small lens. Game-changer for walkthroughs and movement reveals. ~$549–$719.

Slider (optional)

For controlled, repeatable horizontal moves. Great for B-roll details. ~$200–$500.

Pro tip for testimonials: Run a second FX30 on a tripod at a slightly different angle and lens length while the primary camera shoots wide. Cut between them to break monotony β€” same take, two angles, edits feel dynamic without a single retake.

Watch & learn

Editing β€” DaVinci Resolve

My strong recommendation over CapCut and Final Cut Pro for your specific case. Free, professional, and the color tools are unmatched β€” which matters because the FX30 lives on color science.

Why DaVinci, specifically:
  1. Free, no subscription. Studio (paid, $295 one-time) only if you want noise reduction, neural engine, etc.
  2. Best-in-class color grading β€” built for FX30-style log footage
  3. Fairlight tab for audio post β€” exports cleanly to/from Logic Pro
  4. Multicam editing built in (huge for your 3-camera testimonials)
  5. Skills transfer to industry β€” Resolve is the global film/TV color standard

Resolve's seven tabs (top of screen)

TabWhat it doesWhen you use it
MediaImport clips, organize, syncStart of every project
CutFast assembly editingQuick social reels
EditTraditional NLE timelineMost editing happens here
FusionMotion graphics, VFX, titlesLogo animations, lower thirds
ColorColor gradingThe Resolve superpower. Always finish here.
FairlightAudio mixingEQ, compression, levels, mastering
DeliverExportFinal step. H.264 for socials, ProRes for archive

30-day Resolve learning sequence

Days 1–3 β€” Install & navigate

Download from blackmagicdesign.com. Open the project manager, create your first project (1080p 24fps). Watch Casey Faris's "DaVinci Resolve in 20 minutes."

Days 4–7 β€” Cut a real edit

Import test footage. Learn J/K/L for navigation, I/O for in/out points, blade tool, ripple delete. Cut a 60-second piece.

Days 8–14 β€” Multicam + audio sync

Right-click selected clips β†’ Auto Sync Audio (waveform). Right-click β†’ New Multicam Clip. Critical for your 3-camera testimonials.

Days 15–21 β€” Color basics

Color page intro: white balance, contrast, saturation, primary wheels. Don't touch curves yet. Apply LUT for S-Log3 if you shot in it.

Days 22–28 β€” Fairlight basics

EQ presets (high-pass at 80 Hz, presence boost at 3 kHz), compression (4:1 ratio, -18 dB threshold), mastering (-14 LUFS for socials).

Days 29–30 β€” Deliver

YouTube preset (H.264, 1080p, ~10 Mbps). Then create a 9:16 timeline, copy your edit, reframe shots, export for IG/TikTok.

Vertical (9:16) editing without re-editing

Resolve has a feature called Smart Reframe (Studio version) that uses AI to track subjects when converting from 16:9 to 9:16. Free version: do it manually using the Transform tool in the Inspector β€” keyframe Position X/Y to track movement.

Watch & learn

Real Estate Content Templates

Three repeatable formats that map to your team's three priorities: agent branding, social reels, client testimonials. Reusable production templates beat one-off creative every single time.

Template 1 β€” Client testimonial (3-camera)

Goal

A 3–5 minute long-form testimonial that yields 4–8 short-form social cuts. Highest ROI piece you'll produce.

Camera setup

  • FX30 #1: Wide medium on tripod, dead-center, 35mm or 50mm equivalent β€” the "anchor" angle
  • FX30 #2: Tighter close-up on tripod, 45Β° offset, longer lens β€” emotion shots
  • FX30 #3: Loose handheld or gimbal, capturing B-roll cutaways during the interview (hands, environment, listener reactions)

Audio

Lav on subject + NTG-3 boomed overhead, both into FX30 #1 via XLR-H1. Slate (clap once) at the start so you can sync the other two cameras in post.

Lighting

3-point with Amaran 150c. Subject 6–8 ft off background, 48" softbox key at 45Β°, 36" softbox fill at 45Β° opposite, back light behind, plus colored RGB accent on background.

Question prompts (don't read literally β€” use as prompts)

  • "Take me back to when you started thinking about [buying/selling]. What was your headspace?"
  • "What were you most nervous about?"
  • "Walk me through the moment you decided to work with [agent]."
  • "Tell me about a moment in the process when you thought 'this is going to be a problem' β€” and what happened."
  • "What surprised you?"
  • "If a friend was about to start this same journey, what would you tell them?"
  • "Describe [agent] in three words and tell me why those three."

Goal output

One 3–5 min YouTube/website piece, plus 4–8 short-form cuts (the "money quotes") for IG reels and TikTok.

Template 2 β€” Agent intro / branding (60–90 sec hero)

Structure

  1. 0:00–0:03 Hook β€” strong visual or sound. Agent walking, a beautiful door opening, a city skyline, anything that stops a thumb.
  2. 0:03–0:10 Setup β€” agent voiceover or to-camera: "I'm [name], I help families in [neighborhood]…"
  3. 0:10–0:30 Why you β€” the unique value. What makes this agent different.
  4. 0:30–0:50 Proof β€” visual proof points: showing a home, meeting clients, signing papers, handing keys
  5. 0:50–1:00 Call to action β€” "If you're thinking about [buying/selling], let's talk."

Shot list (B-roll bank)

  • Agent walking toward camera (slow-mo 4K 60p)
  • Agent on phone, animated
  • Agent reviewing documents
  • Agent shaking hands with clients
  • Drone-style aerial of neighborhood (rent a drone if you don't have one)
  • Architectural detail of a recent listing
  • Key handover close-up
  • Agent laughing in a kitchen

Build a B-roll bank you can reuse across multiple agent intros. Reshoot the to-camera/VO portion for each agent.

Template 3 β€” Social reel (15–60 sec)

Anatomy of a strong reel

  1. Hook (0–2 sec): Bold visual or text overlay with a question. ("This kitchen has a hidden feature most people miss.")
  2. Pattern interrupts: Cuts every 1–2 seconds. Never linger on a static shot.
  3. Vertical 9:16: Shot vertically OR shot 4K 16:9 then reframed for 9:16
  4. Burned-in captions: 80% of viewers watch with sound off.
  5. Strong cover image: the still you choose makes or breaks discovery.
  6. Trending audio: use IG/TikTok trending tracks, but match the emotional tone.

Content angles that work for real estate

  • "3 things I look for in a [neighborhood] home"
  • "What this listing's price actually buys you"
  • "Most overlooked feature in [house style]"
  • "Walk this house with me in 30 seconds"
  • "Buyers I helped this month" (montage with permission)
  • "The mistake every first-time buyer makes"
  • Behind-the-scenes of an open house
  • "My favorite [neighborhood] coffee/restaurant/park" (lifestyle adjacency)

Watch & learn

Long β†’ Short Workflow

The single highest-leverage workflow in real estate content. Shoot once. Edit one long-form piece. Cut multiple shorts from the same source. Same effort, 5–10Γ— the output.

The principle

Every well-shot 4-minute testimonial contains 4–8 self-contained 30–60 second moments β€” the "money quotes." Identify them, isolate them, reframe them for vertical, add captions, and you have a week's worth of social content from a single shoot.

Step-by-step

1. Edit your long form first

Cut your 3–5 minute testimonial as a polished horizontal 16:9 piece. This is your hero asset for YouTube and your website.

2. Identify the highlights

Watch back with a notepad. Mark every moment that is:

  • A self-contained idea (makes sense without context)
  • Emotionally compelling or surprising
  • Quotable in one sentence
  • Between 15 and 60 seconds long

3. Duplicate the timeline

In Resolve: right-click your timeline β†’ Duplicate Timeline. Rename "[Project] β€” Short 1," "Short 2," etc.

4. Reframe to 9:16

In Project Settings β†’ Image Scaling β†’ set to 1080Γ—1920 (or change the timeline resolution). Then for each clip, use the Transform tool in the Inspector to scale and reposition the subject into the vertical frame.

5. Trim aggressively

Cut every breath, every "um," every dead beat. A 60-second short that "earns" its time beats a 90-second short that drags.

6. Add burned-in captions

Resolve Studio has auto-captions. Free version: use a free auto-caption service (kapwing.com, submagic.co) or type captions manually using the Text+ tool.

7. Add hook overlay

Text overlay in the first 2 seconds: "She thought selling her house would take 6 months." or "This is the question every first-time buyer asks." Hook = thumb-stop.

8. Export and stagger release

Export 8 shorts. Release one every 3–4 days across IG/TikTok/YouTube Shorts. The hero long-form lives on YouTube + your website. Each short links back to the long form.

Project organization recommendation: Keep your tech/production reference (this dashboard) separate from your actual content production. In your content production project, organize like this:
  • 2026-05-15 Smith Family Testimonial/
  •   00 Source Footage/
  •   01 Audio/
  •   02 Resolve Project/
  •   03 Exports/Hero 16x9/
  •   03 Exports/Shorts 9x16/
  •   04 Final Captions + Hooks.txt
Reusable folder template per shoot.

Watch & learn

Gear Reference

What you have, what to add, in priority order.

Your current kit

3Γ— Sony FX30
Super 35 cinema cameras β€” 4K 120p, 10-bit 4:2:2, dual native ISO 800/2500
Have
2Γ— Rode NTG-3
Broadcast shotgun mics β€” RF-bias, weather-resistant, exceptional sound
Have
Sony XLR-H1 handle
Adds dual XLR inputs + phantom power to one FX30
Have
Focusrite Scarlett 18i16
Multi-channel audio interface β€” for studio VO and podcast-style work
Have
3Γ— Aputure Amaran 150c
Full-RGB 150W COB lights β€” pro-tier portrait lighting
Have
2Γ— 36" softbox + 1Γ— 48" softbox
Modifiers for the Amarans β€” soft, flattering light
Have
Yamaha HS-8 + sub
Reference monitors for audio mixing β€” pro-grade accuracy
Have
Logic Pro
DAW for audio post β€” ideal for VO finishing
Have
Tripods
Static support β€” fine for testimonials and agent intros
Have
Sigma 10-18mm f/2.8 DC DN
Ultra-wide zoom β€” 15-27mm equivalent. Interior wides, hallway shots
Have
2Γ— Sigma 18-50mm f/2.8 DC DN
Standard zoom β€” 27-75mm equivalent. Workhorse B-roll lens
Have
Sigma 30mm f/1.4 DC DN
Fast prime β€” 45mm equivalent. Testimonial close-ups, beautiful bokeh
Have

Recommended additions (priority order)

DJI Mic 2 (dual TX kit) β€” ~$349
Wireless lavs with 32-bit float internal recording. Closes your biggest gap.
Priority 1
DaVinci Resolve (free)
Replace CapCut for serious work. Free download from blackmagicdesign.com
Priority 1
CFexpress Type A or fast SD cards
Required for high-bitrate XAVC S-I codec. Sony Tough V90 SD or CFexpress Type A 80GB+
Priority 2
Telephoto zoom β€” Tamron 70-180mm f/2.8 β€” ~$999
Fills the only gap in your lens kit. Compression shots, walking-toward-camera, detail shots with separation
Priority 2
DJI RS 3 or RS 4 gimbal β€” ~$549–$719
For walkthroughs and motion B-roll. Buy when you've outgrown tripod-only
Priority 3
Boom pole + shock mount for NTG-3 β€” ~$200
To boom the shotgun overhead during testimonials. Rode Boompole Pro + Rycote shock mount
Priority 3
Sony UWP-D27 + SMAD-P5 β€” ~$900
Pro broadcast wireless w/ native MI shoe digital audio. Upgrade from DJI when ready
Future
Variable ND filter β€” ~$150–$300
For maintaining 1/50 shutter outdoors. Tiffen, PolarPro, or NiSi 2–5 stop
Future

Channels to Follow

Curated YouTube creators worth subscribing to. I've grouped by what they're best at.

Audio

Camera & cinematic shooting

Lighting

Editing β€” DaVinci Resolve

Real estate–specific